To elaborate on the previous post by Fei An, I would like to quote a paragraph of the Blank Noise blog which describes their new project Y ARE YOU LOOKING AT ME.
“After a brief introduction of everyone present, the meeting proceeded with a brief discussion on eve teasing and the intervention that will take place. ‘Y ARE U LOOKING AT ME’ is an intervention where a group of women wears a giant letter made of red reflective tape on their shirts. They then stand idly on the streets or zebra cross, staring at the vehicles and passers-by without a word. Together, the letters on their shirts form the sentence ‘Y ARE U LOOKING AT ME’, demanding attention by asking a silent question. When the traffic light flashed to green, these women will disappear to the sidewalks. A group of male volunteers are already there, distributing pamphlets and engaging passers-by about in a conversation about what they just saw and relate it to eve teasing. The idea behind this intervention is an act a female gaze to reverse the male gaze that often times could be considered as a form of eve teasing. Because it is so unusual, onlookers often look away or feel embarrassed after an encounter with the female gaze. Despite being done without a word, the twist of gender dynamics in this intervention provoked the interest of people in the sidewalk and opened up the space for public dialogue – the aim Blank Noise strives to achieve.” (Maesly Angelina on blog.blanknoise.org).
This is very interesting. The main aim is not to create awareness and to change the men’s behaviour, which is of course very complicated to achieve, but to empower women in a way that makes them no longer feel victims of sexual harassment. They open up a space in which women can discuss these issues, which, I think, is the beginning of a strong emancipatory movement.
Particularly interesting I find the power shift Fei An briefly mentioned in the previous post. As soon as a women holds a camera she becomes the powerful, as she can register the perpetrater — who, at his turn, totally panics when he realises what happend. “I have a wife, please don’t do this to me”, he begged. Even though she might not do anything with this picture (I don’t believe this is Blank Noise’s aim), at that very moment she controlled the situation. Questions whether this will have any effect on the long term, or whether this will eventually establish some kind of societal/cultural change I consider not that relevant. In this case we should recognise the valeu of the process rather than the product. What does this mean for the particular women and how does it help them at that very moment?